Blake Lively, Adaline

Blake Lively stars in an enchanting and timeless love story of a woman who miraculously remained twenty-nine years old for eight decades in “The Age of Adaline” after an accident almost took her life.  Taking on the titular role of Adaline Bowman, Lively’s character is meticulously dressed by Academy Award-winner costume designer Angus Strathie (“Moulin Rouge”) through the fashions of each era she has lived through.

In “The Age of Adaline,” for decades, Adaline has lived with her head down for fear that her eternal youth will attract the wrong type of attention, always changing her identity, she moves on to a new city and cycles back again decades later.   In order to remain her anonymity, she never allows herself to become too close to anyone except her daughter.  As life unfolds before each passing decade, and as Adaline hopes to grow old with her daughter, she has come to realize why it’s valuable to age and essential to die, for without that, life loses its meaning.

From sumptuous formal gowns to everyday work clothes, everything Adaline wears was carefully selected and designed by costume designer Academy Award®-winner Angus Strathie and his team with an eye toward both fashion and storytelling. The Age of Adaline is an epic piece for a designer, acknowledges Strathie. “It has a long and complex storyline with many characters. The story takes place over almost a century. I was asked to define each of those periods, as well as the moods and emotions of this character through that time.”

From jewelry to handbags to coats, Strathie ran with the idea that Adaline had a closet full of clothing that she had acquired during her long lifetime. “Incorporating those vintage pieces into her contemporary look gives her an individual style,” he says. “For a date with Ellis, she starts with a jacket from the 1920s—a Bohemian, very individual piece. She wears it with a sweater from the 1960s and a contemporary skirt. Her shoes are from the ’50s or ’30s and the handbag was ’40s. Mixing styles became Adaline’s personal look. She draws from all of her time on earth and she gets a sense of security from her wardrobe.”

Lively appreciated the juxtaposition of classic and contemporary fashions. “I liked the fact that she’s dressed a little bit like an old lady,” she says. “She’s much more of a particular kind of conservative than most young women in San Francisco.”

Lively is the current face of the Gucci fashion house, and the company provided recent designs that are reminiscent of the ’40s, ’50s, and ‘60s, as well as a custom gown for Lively to wear in a critical scene, and they co-designed – alongside costume designer Angus Strathie – the gown she wears at the New Year’s ball. “A great deal of what I wear is Gucci,” she says. “They have been such a great supporter of the film. My favorite piece is probably the final custom dress. I’m a magpie, so when I see sparkles …that does it. It’s a golden gown with distinct black beaded embellishments. It showcases a very different from the Adaline you meet in the beginning with the thick, woolly turtlenecks and the grandma shoes. The shift in dress helped to tell her story. The significance of the piece made it that much more beautiful.”

“The Age of Adaline” opens May 20 in theatres nationwide from Pioneer Films.



Acclaimed young actor Nicholas Hoult stars in director George Miller’s epic action-adventure “Mad Max: Fury Road” as the War Boy Nux.

Of his character, Hoult explains, “Nux is a War Boy who is essentially one of the characters who works for the Warlord Immortan Joe. They have been brought up since they were young, working as War Pups and working with vehicles and stuff as mechanics.”

The Warlord has indoctrinated the War Boys in his self-created myth that he is an immortal returned to deliver them to the warrior paradise of Valhalla, so they fling themselves into road combat with religious fervor.

Nux has achieved the ultimate for a War Boy in his short, failing life—the vaunted position of driver, with his own personalized hot rod and a V-8 engine block scarified on his chest. “Everyone in this story is a commodity, and yet, in Nux, we see the rambunctiousness of youth,” says George Miller. “Even though he’s leading a fairly miserable existence, and knows he hasn’t got long, he’s actually capable of great joy, and Nick has that energy inherently. He’s a wonderful actor, extremely disciplined, strong and also tremendous fun. Nick just exudes that youthful exuberance that really tells you who this character is.”

Long before production began, Miller set up a secure website loaded with videos of costume fittings, stunt tests, and reference materials for the actors to learn the backstories of the characters, which was a goldmine for Hoult. “It gave some insight into how Nux could always be trying his best to be optimistic,” the actor notes. “He doesn’t know much about the world; all he knows is that he’s only got a half-life. He’s got these tumors on his neck called Larry and Barry, who are kind of his pals, but are also killing him. His relative innocence and enthusiasm are what set Nux onto the path he takes in this film.”

All the War Boys sport bald heads, tattoos, scarification, and full body-paint in Immortan’s signature white, so Hoult shaved his head and sat in the make-up trailer for two hours each day before cameras rolled. “When your appearance changes so much, it helps you tap into different parts of your personality,” he says. Though he enjoyed the process, he admits he envied how Theron worked it. “Charlize walks in, greases her forehead and out she goes. I was like, ‘Hang on a minute…’”

From director George Miller, originator of the post-apocalyptic genre and mastermind behind the legendary “Mad Max” franchise, comes “Mad Max: Fury Road,” a return to the world of the Road Warrior, Max Rockatansky.

Haunted by his turbulent past, Mad Max believes the best way to survive is to wander alone. Nevertheless, he becomes swept up with a group fleeing across the Wasteland in a War Rig driven by Imperator Furiosa. They are escaping a Citadel tyrannized by the Immortan Joe, from whom something irreplaceable has been taken. Enraged, the Warlord marshals all his gangs and pursues the rebels ruthlessly in the high-octane Road War that follows.

Opening across the Philippines in 2D and 3D theaters on Thursday, May 14, “Mad Max: Fury Road” is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.



Principal photography has commenced on “Inferno,” the new film in Columbia Pictures’ Robert Langdon series, which has taken in more than $1.2 billion worldwide to date. The film is slated for release on October 14, 2016.

In the film, Academy Award® winner Tom Hanks reprises his role as Robert Langdon. He is joined by an international cast of actors, including Felicity Jones, Irrfan Khan, Omar Sy, Ben Foster, and Sidse Babett Knudsen. The film is directed by Ron Howard and produced by Brian Grazer and Ron Howard. The screenplay is by David Koepp based on the book by Dan Brown. The project’s executive producers are David Householter, Dan Brown, Anna Culp, and William M. Connor.

“Inferno” continues the Harvard symbologist’s adventures on screen: when Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks, a doctor he hopes will help him recover his memories and prevent a madman from releasing a global plague connected to Dante’s “Inferno.”

Commenting on the announcement, Howard said, “I’m so excited to be starting production on our third Robert Langdon film. Audiences everywhere have shown a tremendous appetite for the Robert Langdon adventures and Inferno has all of the intrigue and action they could want.”

The film will be shot on location in such exotic cities as Florence, Venice, and Budapest.

Howard’s production team includes Director of Photography Salvatore Totino, Production Designer Peter Wenham, Editors Dan Hanley and Tom Elkins, and Costume Designer Julian Day.

Inferno” is distributed by Columbia Pictures in the Philippines, local office of Sony Pictures Releasing International.



After penning the scripts for “Insidious” and “Insidious: Chapter 2,” Leigh Whannell takes the reins on “Insidious: Chapter 3” by stepping in for co-creator James Wan and directing the new film.

Producer Oren Peli says, “Leigh understands the world of Insidious so well and also sees all sorts of possibilities for `The Further’ and for the characters grappling with it, all of which made him the perfect choice to direct the new chapter.

Producer Jason Blum elaborates, “The people who created a movie make the best sequels – which I don’t talk about with them until after they’ve made the first movie, so that it isn’t compromised – and carry the storytelling forward. When Leigh said, ‘I have an idea for a new movie,’ that was ideal. We wanted to make it as comfortable as possible for Leigh to get to do what he wanted to do in taking the director’s chair, because we all felt he should be the next director for these stories.”

For his part, the new director, Leigh Whannell offers, “It’s a privilege to be part of telling these stories that connect with people all over the world. Here was this fantastic opportunity, to be able to direct a movie that is going to be released in theaters with people having the chance to see it in a communal way. I love watching the `Insidious’ movies with audiences, especially when they jump out of their chairs.”

James Wan, who had directed the previous “Insidious” movies from longtime filmmaking partner Whannell’s screenplays, remarks, “I am amazed and proud to see what Leigh has done with `Insidious: Chapter 3.’ Leigh understands the nuances that you need to create horror scenes, to create suspense and tension.

“There was no better person to take the reins of the Insidious franchise; I was honored to pass the torch on to my great bud! When I see him directing, even though this was his first feature, he looks like a natural. He’s so comfortable and he has fun doing it.”

“I’ve had a great education,” says Whannell. “This came from sitting behind James and watching him direct, and seeing what he does in the cutting room, with music, with all of it. He is the master of modern horror.

“We both have similar tastes: we like to shoot continuously and not rely on editing or CG effects, working with what’s practical within the camera and within the frame.”

Even so, the writer/director notes that “my style is a little different than James’s, which is important because while I am following the template of the first two movies and Insidious: Chapter 3 certainly exists in the same universe, I knew I wasn’t going to do a carbon copy of what James did. I wanted to continue to build up these stories’ world but not repeat what we’d done before.”

As it happened, production of “Insidious: Chapter 3” overlapped with the making of Wan’s newest movie as director, the big-budget “Fast & Furious 7.” Wan was still able to visit Whannell’s set multiple times – and can be glimpsed on-screen in a cameo role – but more frequently kept up with the project by way of modern communication. “I would text Leigh with scare tips,” remembers Wan. “He would text me back with how to blow up cars [for Furious 7]!

“We were doing what we always do in person anyway – bounce ideas off each other, and help each other out on projects.”

“Insidious: Chapter 3” has been given a Parental Guidance (PG) rating by the MTRCB. This movie contains scenes with several scary and horrifying images, blasting sounds, and themes (a child communicating with the dead, dealing with the supernatural, etc.) that may be disturbing for very young viewers. Parental guidance and discretion is strictly advised.

Opening across the Philippines on June 05, 2015, “Insidious: Chapter 3” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.


Terminator Genisys

Paramount Pictures has launched five character one-sheets of “Terminator Genisys” featuring T-800 (Arnold Schwarzenegger), Sara Connor (Emilia Clarke), Kyle Reese (Jai Courtney), T-1000 (Byung-hun Lee) and T-300 aka John Connor (Jason Clarke).

Terminator Genisys Kyle Reese

The studio recently decided to reveal in trailers and teaser posters that John Connor is actually a Terminator, an unexpected plot twist that promises turn the reboot into an intriguing spectacle.

Sara Connor

Terminator Genisys” is directed by Alan Taylor (“Thor: The Dark World”) from a screenplay by Laeta Kalogridis and Patrick Lussier.


When John Connor (Jason Clarke), leader of the human resistance, sends Sgt. Kyle Reese (Jai Courtney) back to 1984 to protect Sarah Connor (Emilia Clarke) and safeguard the future, an unexpected turn of events creates a fractured timeline.


Now, Sgt. Reese finds himself in a new and unfamiliar version of the past, where he is faced with unlikely allies, including the Guardian (Arnold Schwarzenegger), dangerous new enemies, and an unexpected new mission: To reset the future…


Opening across the Philippines on July 01, 2015, “Terminator Genisys” is distributed by United International Pictures through Columbia Pictures.