13 Hours: The Secret Soldiers of Benghazi
Dominic Fumusa plays John “Tig” Tiegen in 13 Hours: The Secret Soldiers of Benghazi from Paramount Pictures and 3 Arts Entertainment / Bay Films in theatres January 15, 2016.

Director Michael Bay’s new action-thriller, “13 Hours: The Secret Soldiers of Benghazi” was based on a real-life, controversial incident in Libya. Consulting the production were three of the actual participants in that tense battle, Kris “Tanto” Paronto, Mark “Oz” Geist and John “Tig” Tiegan.

At the time of the battle on September 11th, 2012, the three ex-military men were serving as CIA security contractors, the Global Response Staff (GRS). When the attack on the American diplomatic compound and the CIA annex in Benghazi took place – at which four men died, including a United States ambassador – it was these men who held their ground, as depicted in the new film.

The actors portraying them are Pablo Schreiber as Tanto, Max Martini as Oz and Dominic Furmusa as Tig.

(Watch the featurettes “Tanto and Pablo” at, “Oz and Max” at and “Tig and Dominic” at

Kris Paronto is a ex-Army Ranger, and left the service as an officer before doing the GRS contractor work. Mark Geist was a Marine, and went into law enforcement afterward, serving as a Chief of Police and child abuse investigator. John Tiegan was also a Marine, and co-authored the book “13 Hours” with Mitchell Zuckoff, which the film is based upon. The three recently sat down with selected press to discuss the issues surrounding the film, and their role on that fateful night.

Question: What is the weirdest part of seeing different people act as yourselves, and having a screenwriter put words into your mouths?

Kris “Tanto” Paranto: Having a screenwriter like Chuck Hogan was incredible. He worked with us and wanted to get it right. If we hadn’t been involved, then sure, it might have been weirder, but we were completely involved from the beginning to the end of the process. For me, getting to know the actor that played me [Pablo Schreiber] helped as well. We developed a relationship and became friends.

Mark “Oz” Geist: If there was something we were uncomfortable with in any element, we could let them know.

Q: When under fire in reality, fear is one element that cannot be processed absolutely when recreating an event under blanks bullets. How do you express to the actors the fear one feels when in situation like you were in?

John “Tig” Tiegen: There isn’t any fear…if you’re scared, you won’t go forward when you should. Your biggest fear is letting the guy down to your left and right. You’re always going to go forward.

Tanto: The concept in Marine and Ranger training is move forward as a team. Cohesiveness is important, and once you have built that you’ll live up to the expectations of the guys to your left and right. You challenge yourself to do better than that next guy. The only fear, as Tig said, is not being first.

Oz: Once you read the book or see the film, you won’t see fear, but you will see adrenalin. You use that adrenalin to move forward, and it’s an incredible and indescribable feeling. Bottom line, if you fear you are going to die, you will die. The cast captured that because they go to know us, and wanted to get it right.

Tanto: There is a great scene where they are coming onto the consulate, and the way they approach it from the standpoint of what actually happened is spot on. It demonstrates the teamwork, cohesiveness and the drive to move forward.

Q: We live in a different age than the war films from the WW2 generation, and even the moral ambiguities of the Vietnam films. What should we know about the incident in Benghazi, before we see the film?

Oz: The positive take away is that there are still guys who are willing to sacrifice themselves, and there are still guys out there who have the mental toughness and the intestinal fortitude to move forward. Even if their superiors tell them don’t, they still want to act. That is the definition of a patriot, and that has never changed. I feel like I can’t let the guys down that came before me from World War II, Vietnam and all the other wars. The psyche of the soldier in battle, I believe, has not changed. Only the orders are different.

Q: Since all of your boot camp and Ranger training is so difficult, are their any stories of just how tough it is, that you can relate to civilians?

Tig: Watching the airplanes take off while I was sitting in the barracks. [laughs] I’m serious, that sucked. I was a ‘Hollywood’ Marine because I was at the west coast boot camp, which was right outside the San Diego airport.

Tanto: Ranger School isn’t as bad. At one point, we had a drill called Space Invaders. You go back to the barracks and dress in your armor, and take a trash can lid. Then everybody threw beer bottles at you, and taunted you to quit.

Oz: My uncle went to Marine boot camp in 1958, so that was my expectation of it. The hardest thing is learning to work with others, everybody and anybody. That is the one plus side to the military, it’s the diversity you encounter, dealing with everybody in every type of situation. We put up the walls and barriers in regular society, in the military it’s about diversity and the understanding of each other.

“13 Hours: The Secret Soldiers of Benghazi” is now showing across the Philippines and is distributed by United International Pictures through Columbia Pictures.



Spider-Man, one of the world’s most beloved superheroes, will once again come to IMAX® Theatres for a network-wide event run when the film is released in theaters on its new worldwide date on July 7, 2017, it was announced today by Josh Greenstein, president of Worldwide Marketing and Distribution for Sony Pictures, Kevin Feige, president of Marvel Studios, and Greg Foster, Senior Executive Vice President, IMAX Corp. and CEO of IMAX Entertainment.

As the movie, which Sony Pictures Entertainment is teaming with Marvel Studios to produce, enters wide release, it will also be digitally re-mastered into the immersive IMAX® 3D format. The highly anticipated next installment in the $4 billion franchise, which will star Tom Holland as Peter Parker/Spider-Man, will be directed by Jon Watts and produced by Feige and Amy Pascal.

Commenting on the announcement, Greenstein said, “There’s so much about Spider-Man – including the web-slinging action – that lends itself perfectly to the IMAX screen. We are confident that audiences everywhere around the world will want to see it in IMAX.”

Feige said: “Time and time again IMAX delivers super-hero sized movie going experiences to fans. With the anticipation for Spider-Man climbing, we are excited that IMAX has committed early to this extended release plan — it will be a great way for audiences around the world to experience such a big event film.”

Foster said, “IMAX’s long-standing relationship with Marvel and Sony first began with Spider-Man in 2002, establishing the ultimate way for fans to be transported into the world of their favorite characters like Peter Parker. By re-teaming with our friends at Sony and Marvel on the newest Spider-Man reboot, we are excited to deliver audiences what they’re asking for: a must-see cinematic adventure – in IMAX.”

The IMAX® 3D release of the Spider-Man film will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images, coupled with IMAX’s customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie.



TM and © 2015 Twentieth Century Fox Film Corporation.  All Rights Reserved.  Not for sale or duplication.

Expect plenty of wry humour in “Deadpool,” directed by Tim Miller and at Reynolds’ own experiences in the comic book world.  Based upon Marvel Comics’ most unconventional anti-hero, “Deadpool” tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

“Deadpool” star and producer Ryan Reynolds has no bigger fan than Marvel Comics legend Stan Lee, who has a fun cameo in the film and also serves as an executive producer.  “There’s never been a character like Deadpool, and Ryan Reynolds plays him as though he was born to play the role,” says Lee. “Just like Robert Downey, Jr. was born to be Iron Man, you just can’t picture anybody else besides Ryan as Deadpool.”

Reynolds embraced the character’s myriad (and often twisted) facets.  “In the comic book world, Deadpool is a man of our time with the ability to spout just the right thing, in terms of a pop culture reference, at the worst possible moment,” he quips.  “That’s what makes him interesting to me and also makes him sort of limitless.”

Reynolds had long championed a film version of the iconic comics character.  His deep involvement in the film’s development continued throughout production, in brainstorming sessions with director Tim Miller and screenwriters Rhett Reese and Paul Wernick (“Zombieland”).

Tim Miller, who makes his feature film directorial debut on Deadpool, notes, “I think Ryan’s personality and DNA are really infused in the character.  It was a close match to begin with, which is why Ryan was so attracted to Deadpool in the first place.”

“Ryan has a tremendous sense of humor, is very quick, and the character has really seeped into him,” says Reese.  “He became in a way our ‘Deadpool Police.’ Whenever we got off tone or were writing in a way that didn’t feel quite right, Ryan would say, ‘I don’t think that sounds like Deadpool.’  We knew he was the best arbiter, because Ryan knows and loves the comics and has assimilated Deadpool’s voice and sense of humor.”

“We’re staying as true to the character as possible,” adds Reynolds.  “We really ran with the idea of Deadpool being aware he’s a comic book anti-hero.  It gave us the freedom to tell this story in a totally unorthodox way.  We occupy a space that no other comic book movie has – or can.”

Deadpool is a unique figure in the Marvel Universe.  Fabian Nicieza and Rob Liefeld created Deadpool as possessing an often non-superheroic attitude.  A sardonic foil to the holier-than-thou heroes and villains that populate  Marvel’s other comics, Deadpool constantly cracks edgy jokes and breaks the fourth wall.

Liefeld joins Stan Lee in his admiration of the filmmakers’ work in translating the character to the big screen.  “DEADPOOL explodes with action,” says Liefeld. “Ryan, Tim Miller, Paul and Rhett mined all the good stuff in the comics from about a ten-year period and came up with a movie that sews it all together.  This will be the Deadpool that will become canon moving forward!”

It’s a date on Valentine’s week with “Deadpool” starting February 10 in cinemas (and IMAX screens) nationwide from 20th Century Fox to be distributed by Warner Bros.


Copyright © 2015 Twentieth Century Fox Film Corporation. All rights reserved. THE REVENANT Motion Picture Copyright © 2015 Regency Entertainment (USA), Inc. and Monarchy Enterprises S.a.r.l. All rights reserved.Not for sale or duplication.

Leonardo DiCaprio’s award-winning and acclaimed film, “The Revenant” from Academy Award winning director Alejandro Iῆarritu holds its public advance screenings in Philippine theatres (2D and IMAX screens) as last full show nationwide on February 2, Tuesday – hours ahead of its opening (following) day on February 3.

Based on true events from legendary Hugh Glass’ accounts on surviving the wild, uncertain times and even returning from the dead, “The Revenant” is this year’s most awaited cinema event. In THE REVENANT, the highly anticipated film  from 20th Century Fox, Leonardo DiCaprio plays Hugh Glass, a fur trapper and frontiersman who is left for dead deep in the unchartered American  wilderness by a traitorous member of his team,  John Fitzgerald (Tom Hardy).   With sheer will as his only weapon, Glass must navigate a hostile environment, a brutal winter and warring tribes in a relentless quest to survive and exact vengeance on Fitzgerald.  Inspired by a true story, the film is directed and co-written by renowned filmmaker and Academy Award-winnerAlejandro González Iñárritu (Birdman, Babel).

Glass’s mythology began in 1823, when he was among thousands joining the fur trade, a driving new force in the US economy. It was a time when many saw the wild as a spiritual void that demanded to be tamed and conquered by the steeliest of men. And so they poured into the unknown, plying unmapped rivers, disappearing into impossibly lush forests, seeking not only excitement and adventure but also profits — often in fierce competition with the Native tribes for whom these lands had long been home.

Many such men died anonymously, but Glass entered the annals of American folklore by flat-out refusing to die. His legend sparked after he faced one of the West’s most feared dangers:  a startled grizzly bear. For even the most tested frontiersmen that should have been the end.  But not for Glass. In Iñárritu’s telling of the tale, a mauled Glass clings to life – then suffers a human betrayal that fuels him to continue at any cost. In spite of tremendous loss, Glass pulls himself from an early grave – clawing his way through a gauntlet of unknown perils and unfamiliar cultures on a journey that becomes not just a search for reckoning but for redemption. As Glass moves through the frontier in turmoil, he comes to reject the urge for destruction that once drove him.   He has become a “revenant” — one returned from the dead.

“The Revenant is a story of harsh survival but also one of inspirational hope,” Iñárritu says.  “For me, the important part was to convey this adventure with a sense of wonder and discovery, as an exploration of both nature and human nature.”

“The Revenant” opens in cinemas across the nation starting February 3 (also in IMAX screens) from 20thCentury Fox to be distributed by Warner Bros.  Check your nearest theatres for schedule and advance ticket purchase.





Brought to life with the dreamlike shadings of a love poem, “Brooklyn” unfolds in two distinctly atmospheric worlds:  one amid the cloistered, muted beauty of Enniscorthy, Ireland and the other in the bustling chaos of New York’s Brooklyn, the frequent first stop of many immigrants to America, starring Saoirse Ronan, Emory Cohen and Domhnall Gleeson who make up the film’s love triangle.

The entirety of “Brooklyn” builds to the life-altering decisions Eilis (Ronan) must make:  between Tony (Cohen) and Jim (Gleeson), between Brooklyn and Ireland, between her past and what she wants for her future.  Everyone involved knew from the start that the story hinged on the uncertainty of her ultimate choice.

Helping to recreate the era in the minds of actors were the beautiful clothes sourced and created by Odile Dicks-Mireaux to evoke the inimitable elegance and grace of 1950s New York.   She was thrilled to step back into that era.  “It was a complete pleasure to work with these characters,” says Dicks-Mireaux, “and there was so much craftsmanship and invention in the 1950s period.”

The early era of street photography, especially work by the mysterious Vivian Maier and iconic New York shooter Elliott Erwitt, inspired Dicks-Mireaux with their candid shots of transient city moments.  However, she avoided even glancing at the couture of the era.

“John’s specific edict was to not look at any fashion magazines because this is a story of real people – of working class girls trying to make their living in New York,” she explains. “In every aspect of the film, John wanted the look to be very natural and real.”

Dicks-Mireaux especially enjoyed contrasting fashionable Brooklyn, of which Eilis is soon a part, with the more austere dress of Enniscorthy. “There was a huge difference between America and Ireland in those post-war years,” she explains.  “The styles could not have been more distinct which is perfect for the story we’re telling.  In America it was a time of rich color – reds, caramels and yellow ochres, pinks and pale colors – that just did not exist then in Ireland.”

An equal contributor to the film’s transporting atmosphere is the music, led by an aching score from Michael Brook (Into The Wild, The Fighter).  There is also a transcendent musical moment — when Eilis volunteers to serve Christmas lunch to downtrodden Irish immigrants, only to be enraptured by one homesick man’s stirring Irish lament.

Colm Tóibín told Finola Dwyer and Amanda Posey that the unique voice of Irish singer Iarla Ó Lionáird had been a particular inspiration to him while writing that scene.  Inspired themselves, they approached Ó Lionáird and were delighted to be able to bring him to Montreal to perform “Casadh an Tsúgáin” live on the set.

Ó Lionáird fully understood why it would impact Eilis so deeply. “It’s a love song, in which the repeating chorus talks about a man asking the woman to define in what way she’s connected to him,” he explains.  “That resonates for Eilis, in that she’s connected to two worlds. In the song, the man is asking the woman ‘if you’re with me, you’re with me’ and he says ‘be with me in front of everybody, show everybody, be clear.’ She has to step into her own future and to decide what that is.”

Ronan was as moved as Eilis is during the scene.  “Through this incredible voice, Iarla was able to communicate every emotion that you go through when you’re away from home,” she says.

“Brooklyn” opens today, January 27 exclusively at Ayala Malls Cinemas (Trinoma, Alabang Town Center, Greenbelt3, Market!Market!, Fairview Terraces) from 20th Century Fox distributed by Warner Bros.